“Oskar Schlemmer’s Triadic Ballet and the Trauma of War,” in Nothing but the Clouds Unchanged: Artists in World War I, eds. Gordon Hughes and Philipp Blom (Los Angeles: Getty Research Institute, 2014), 172-179.
“Forget Rudolf Belling: Getting the Carl Einstein We Deserve,” in Carl Einstein and the European Avant-Garde / Carl Einstein und das europäische Avantgarde, eds. Nicola Creighton and Andreas Kramer (de Gruyter: Berlin, 2012), 104-121.
“Picturing Sculpture: Image, Object, Archive,” in Bauhaus Construct: Fashioning Identity, Discourse and Modernism, eds. Jeffrey Saletnik and Robin Schuldenfrei (New York and London: Routledge 2009), 163-180.
“Archipenko’s Failure: Sculpture and Criticism in Post-World War I Germany,” in Paul Paret and Michael White, Russian Berlin in the 1920s. Essays on Sculpture, No.54 (Leeds, UK: Henry Moore Institute, 2006), 7-15.
Co-author with Eric Zafran, Surrealism and Modernism: from the Collection of the Wadsworth Atheneum Museum of Art (New Haven: Yale University Press, 2003) Essay: “Destination Unknown: Pathways to Modernism,” 13-59.
“Sculpture and its Negative: The Photographs of Constantin Brancusi,” in Sculpture and Photography: Envisioning the Third Dimension, ed, Geraldine Johnson (Cambridge; New York: Cambridge University Press, 1998), 101-115.
6810 Visual Intersections: Art in the Archive
6810 Visual Intersections: Art History and Visual Studies
4495 Seminar in Modern Art: the Bauhaus
4440 Topics in Modern Sculpture: Body, Object, Image
4430 Art Since 1970
4420 Modern Art and After: 1940s-1970s
4410 Modern Art 1900-1945
4000 Good Looking: Writing about Art and Visual Culture
3450 Land Art and Experimental Geography
2500 Introduction to the History of Art