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Paul Paret, PhD
Assistant Professor
155 Art Bldg
801-581-7317

paul.paret@utah.edu

  
   
      
    
   Book Cover 

RESEARCH INTERESTS
20th c. and contemporary art and theory; The Bauhaus; history of sculpture

TEACHING SPECIALTY
Modern and Contempory Art

SELECTED PUBLICATIONS
Experimental Photography from the Bauhaus Sculpture Workshop, essay
and exhibition (December 16, 2006 – February 18, 2007), The Henry
Moore Institute, Leeds, UK.

“Archipenko’s Failure: Sculpture and Criticism in Post-World War I
Germany,” in Paul Paret and Michael White, Russian Berlin in the
1920s. Henry Moore Institute Essays No.54 (Leeds, UK: Henry Moore
Institute, 2006.)

"Rodin at the Bauhaus," Journal of the Iris & B Gerald Cantor Center for Visual Arts at Stanford University Vol.3, 2002-2003 (Stanford University, 2005): 197-204.

"Destination Unknown: Pathways to Modernism," in Eric Zafran, ed., Surrealism and Modernism from the Collection of the Wadsworth Atheneum Museum of Art (New Haven: Yale University Press, 2003): 13-59.

"Sculpture and its Negative: The Photographs of Constantin Brancusi," in Geraldine Johnson, ed., Sculpture and Photography: Envisioning the Third Dimension (Cambridge; New York: Cambridge University Press, 1998): 101-115.